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Ti fui compagna per le ignote strade del mondo e all'ombra dei crocicchi, in una vita lontana che fu mia, fu mia come questa non già che s'attorciglia al mio collo e al mio cor, segni imprimendo di ferro e corda nelle nude carni. Avevi, come adesso, una giacchetta logora, un viso a lama di coltello, una bocca di fame e di sarcasmo, e andavi senza meta, e andavi senza dolore, solo con la tua miseria, e gran signore della libertà. ...

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Questa notte m'apparve al capezzale Una bieca figura. Ne l'occhio un lampo ed al fianco un pugnale, Mi ghignò sulla faccia.¿Ebbi paura.¿ Disse: «Son la Sventura.» «Ch'io t'abbandoni, timida fanciulla, Non avverrà giammai. Fra sterpi e fior, sino alla morte e al nulla, Ti seguirò costante ovunque andrai.» ¿Scostati!... singhiozzai. Ella ferma rimase a me dappresso. Disse: «Lassù sta scritto. Squallido fior tu sei, fior di cipress...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...